2019 (July), “Let’s Not Get Personal” in Open Democracy
2020: The Blindspot of the Post-Atomic, in Through Post-Atomic Eyes, Eds. Claudette Lauzon and John O’Brian, McGill-Queen’s University Press, pp. 297-337.
2019: “Unlearning the Blindspot” in “Shifter 24: Learning and Unlearning,” pp. 105-110.
Selected Articles
2011: Toward a Vulgar Cultural Studies in Renewing Cultural Studies (Paul Smith, editor), Philadelphia: Temple University Press.
Disaster, Crisis, Revolution in South Atlantic Quarterly, Durham: Duke University Press. 106:4, pp. 647-663.
Semi-ology of a Disaster, Or Toward a Non-Moralizing Materialism in Scapegoat, Materialisms, Number 2.
Japanese Cinema Without Japan: Toward an Undisciplined Film Studies, (Daisuke Miyao, Editor), Oxford: Oxford University Press, 2013.
“Illness and Culture Today” — translated as 当代生物经济与文化(Dandai Shengwu Jingji yu Wenhua), Literary Criticism and Cultural Critique, Central Normal University Press
Uses and Abuses of the Nation: Toward a Theory of the Transnational Cultural Exchange Industry, in Social Text 44
Globalization and Other God-Terms in Stuff It: the Video Essay in the Digital Age, Ed., Ursula Biemann, Zurich: Edition Voldemeer, Institute for Theory of Art and Design Zurich
Representation, Reality Culture, and Global Capitalism in Japan in South Atlantic Quarterly, 100:2, Durham: Duke University Press
A New Line in the Geometry in Alphabet City’s SUBTITLES: On the Foreignness of Film, MIT Press, ed. Atom Egoyan and Ian Balfour
2010. Trespasser: An Introduction to the Life and Work of Masao Miyoshi
2010: Bioeconomics, Culture and Politics after Globalization, in Globalization, Autonomy and Culture, ed. Will Coleman, Vancouver: University of British Columbia Press, pp. 49-65.